NUDE FLUTES jingle jangle ::::::::: Süpperclüb Xmäs Speciäl

from 19h – Grüntaler9 Fridäy Süpperclüb Xmäs Speciäl
around 20h ::::::::: NÜDE FLÜTES – jingle jangle

Weihnachtslieder. Freude und Trauma. Nostalgie und Wiederkehr. Wham! und Schneeflöckchen. Last uns Weihnachtlieder schreddern und zelebrieren! Im Rahmen vom Süpperclüb in der Grüntaler9 wirds weih-nacht-lich bei Rotkohl und Klösen.

Bringt eure Favoriten mit. Und die Freunde. Und Lametta.

::::::::: Christmassongs. Joy and trauma. Nostalgia and recurrence. Wham! and Rudolph. Let´s shredder and celebrate Christmassongs! Within Süpperclüb @ Grüntaler9 with christmasy food and tunes.

Bring your favourite ones! And bring your friends. And Lametta.

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NUDE FLUTES is a regular gathering of people, who love to use their voices together.

If you are curious to explore the mystic coallition between space / body and voice – You are welcome.

If you want to discover your own voice in the realm of others – You are welcome.

If you are convinced by the fact you cannot sing – You are very welcome!

JEANSGRUPPE in TEUTONIA (2005, 90 min)
::::::::: Süpperclüb (by donätion) with a film presentation on December 4th, 2015 at 20:15h

A classic was the starting point for this action – the 1954 documentary „The Mad Masters“ by Jean Rouch: a ritual of the Hauka mocks state organs and the power games of the colonialists. The JEANSGRUPPE used the installation Teutopia at the Atelier van Lieshout as a film location and transferred this ritual into today. In front of the camera and the audience the JEANSGRUPPE embodied their secret desire to be hidden from the general competition of beauty and self-representation. The higher school of embarrassment with a 360° view of Munich.

During their performances the JEANSGRUPPE consists of 10 people (5 men and 5 women). Degrading applications, jeansy accessories, humiliating namby-pamby chic, (jeans)fabric turning into aesthetic misery. Every member being rather unimpressive by themself, but alarmingly present in the cluster. Subtle actions and uptight rituals, soft chants and minimalist dances determine the magic of the JEANSGRUPPE. It consists of 10 individuals who act as one body. The JEANSGRUPPE has no glamor, no radiant front. No state can be made by the JEANSGRUPPE. JEANSGRUPPE is not Trash, not Camp within the meaning of Pop, for that the wink, the ironic nonchalance is missing.

::::::::: The JEANSGRUPPE was founded in 1995 by Holger Dreissig at the AVE Festival in Arnhem, NL and has been present with numerous actions at home and abroad – among others 1996: Identa Congress (Black Box, Munich); Transhumans Body Meeting (Evangelical Academy, Tutzing); 1997: Documenta X (Kassel); JEANSGRUPPE, the Tour (Festival of Regions, Upper Austria); 1998: Bavarian Parliament, Munich; EXPO (Lisbon) … Since 1999, actions in the Gallery of the Artist, Ultraschall, i-camp Theater, Volkstheater Munich, etc.

Concept, Staging: Holger Dreissig – with Konrad Bayer, Edward Beierle, Oli Bigalke, Holger Dreissig, Florian Gass, Matthias Hirth, Martin Lipah, Tom O’Malley, Anna Maslowski, Julian Till Ostertag, Franziska Ott, Eyreen Prochnow, Simone Schirmer, Johanna Schödel.

::::::::: MUSEUM OF UNHEARD (OF) THINGS [ANY 02] by Roland Albrecht
Translated by Alexander Booth and You Nakai

To be released by Already Not Yet on November 18, 2015 at 19h

The Fridäy Süpperclüb will shift to Wednesday for this occasion, all are welcome.

MUSEUM DER UNERHÖRTEN DINGE is a “Literary Cabinet of Curiosities” founded by Roland Albrecht, located between house numbers 5 and 6 on Crellestraße in Schöneberg, Berlin. The museum displays unique things and their unheard (of) stories, all categorized according to weight, and holds the record of being the most visited museum in Berlin (if one offsets the number of visitors to the square meters of the exhibition space).

MUSEUM OF UNHEARD (OF) THINGS is the catalogue raisonné of the museum, assembling its entire current inventory, translated into English for the first time. It intends to grow as the museum collection expands. At the present moment it contains 78 things.

The Launch of this publication will take place at Grüntaler9 with unheard readings, interlingual performances, non-simultaneous interpretations, and occasional servings of literary recipes by:::::::::
– Roland Albrecht
– No Collective (You Nakai, etc)
– Alexander Booth
– Lindsey Drury
– Tomomi Adachi
– Dafne Narvaez
– Johanna Gilje
– among other things

Performer Stammtisch: How to work together

September 22, 2015 from 20h

Summer is over. Time to get back to work! Performer Stammtisch and APAB e.V. invite everyone working on and interested in performance art to join a round table talk. We will discuss formats we want to use to show, see, discuss, critique, transcend and work on performance art in Berlin in the future. New ideas for collaboration, crazy projects, high aspirations welcome!

This is the first of a new series of open meetings on performance art. They will take place roughly once a month and have various hosts.

Host: Jörn J. Burmester, performance artist, host of Performer Stammtisch (2003 – 2013), co-founder and co-organiser of Month of Performance Art – Berlin MPA–B (2011 – 2015), president of APAB e.V. (since 2013).

kadri noormets and asia baś ::::::::: AIR WITH CONTENT 10 degree something

Fäcebook Event

September 21-26, 2015 at Grüntaler9 ::::::::: Mon-Sat at 6pm – 9pm

::::::::: the space is open every day from 2pm

::::::::: there’s also Fridäy Süpperclüb and 100 of 10 degree something’s will be read out loud

the project is based on 365 of 10 degree something-s.
so far 100 of those emerged.

one 10 degree something is a minimalistic microcosm translated into words, put into ten numbered lines. the essence of each microcosm created is based on synchronised thinking and written down only when sharing time and space physically. the words appear through listening and talking to each other about something.

in Grüntaler9 the process of creating 10 degree something will be shared with visitors. greeting every member personally. visitors are invited to explore the texts on the table – what has been written, what are the similarities, what is the structure, what makes the whole. at the same time filling the space with their presence.

investigating why and how the abstract becomes personally readable, when does the document become a poem instead. visitors are invited to take a seat and stay around.

AIR WITH CONTENT previously
Feb 2015 at Bunkier Sztuki Gallery (Kraków)
Jan 2015 at TOKONOMA Exhibition Space (Kassel)
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the collaboration between kadrinoormets and asia baś started in autumn 2013 in berlin where they worked on their first project “touching (a true story of two climbers and their perilous journey over and under the seats)”, followed by the showing in vilnius, lithuania. since then they’ve been in active dialogue, meeting each other in various places in europe. currently they are busy with a long term project called “air with content”. in 2016 they are presenting its first manifestation, title yet unknown. their collaboration is a tree.

asia baś is a polish performer, player and traveller to unknown places. she is an active member of the people speak – london based arts and media collective, trains action theatre and performs in projects where her subtle subjectivity and strong presence are needed. she performed in works by zorka wollny, selene states, tino sehgal, romeo castellucci, ivana muller, kadrinoormets and many more.

kadri noormets is an estonian performing artist and text creator working on theatre. often radical in her views. even if releasing a book or making an appearance in gallery, it is to elaborate her statement about theatre – an organised space of concentration, as well as art, music or literature potentially, essentially is. books: intourism (Lugemik, 2014), go neo und romantix (Lugemik, 2013). latest performances: formlessly yours (with Diego Agulló, Kanuti Gildi SAAL 2015), procedure of beauty (assisted byAsia Baś, STL 2014), darks in blues (with Diego Agulló, ATF 2014), intourism (Rakvere Theatre 2014), an hour of (STL/ATF 2013). contact: kadri[at]notafe.ee

Paternosters are threatened with extinction. What else is there to lift, what is not yet redeemed & preserved? What is at stake in the Great Tribulation? Honest weights & square dealings in betweenish the potent power of time travel & the logic of concern. Indeed, somatization is abducting encounter spaces including cosmonauts. Crisis makers & Swifts decisively between hyper attention & deep attention. Prepare to Lift, parietal lobe & temporal lobe. The Show Must Go Off.

Personenumlaufaufzüge sind vom Aussterben bedroht. Was gibt es noch zu roden, was ist noch nicht zerheilt? Was steht auf dem Spiel in der großen Trübsalszeit? Werktreuerische Schwere(losigkeit) & quadratische Beziehungen liminalisieren die Potenz des Zeitreisens & die Logik der Sorge. Die Somatisierung der Tatorte verschleppt Bürgerläden samt Kosmonauten. Die Krisenmacher & Mauersegler entscheidend zwischen hyper attention & deep attention. Prepare to Lift, Parietallappen & Temporallappen. The Show Must Go Off.

Prepäre To Lift ::::::::: Fridäy August 21st ::::::::: from 15h – midnight

Fäcebook Event

Progräm

from 15h ::::::::: untitled (after) – a durational performance by Sikarnt Skoolisariyaporn

the end,
all firefox tabs melt into one
and you have lost every past you have ever remembered
you will forget to attend event tomorrow
and your friend’s birthday yesterday
all buried by ashes of currency
the forever amnesia liquidity

from 18h ::::::::: Joël Verwimp

Performative reflections on Belgian performance art history from 1958 until 1998 with annotations by Teena Lange.

around 20h :::::::: Florian Feigl continues performing „300“

300 is a 24 hour experimental video film in the making. It consists of a body of about 300 live performances. Each single performance lasts 300 seconds – five minutes. The performances included in 300 cover various and very different types of performance such as artistic, social, sculptural/iconographic, ethnological among others.

on & off ::::::::: Cris Olano – Live Drawing Performance

Two dimensions, two colors. One marker. As simple & detailed as it gets for the recreation of the line, the movement, and the moment. You don’t know what will come out, she neither. Let’s create it together!

from 21h ::::::::: Fridäy Sömmer Süpperclüb

Every Fridäy Grüntaler9 invites for Süpperclüb – Jüst come, häng out, reläx, enjöy some homecooked food & häve a drink ::::::::: it’s as simple as thät. Get together. Ä side effect: The donätions are keeping the späce alive.

around 21h30 ::::::::: Ötenin Sesi – Live Saz & Anatolian Songs by Cafer Akpinar and Erdal Güncü. Featuring Special Guest Petra Nachtmanova – a well known Tralalka member.

from 22h ::::::::: Johnny Converter aka Don Air featuring Arion Analog Pedal (7inch records)
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This event is part of the Project Space Festival Berlin
The space is supported by APAB – the Association for Performance Art Berlin

APAB’s Committee on Publicness‘ txtbook#one performs Nussknacker müssen sich keine goldene Nase verdienen – On Obtrusive Communal Speculation at MISS READ

In 2015 Miss Read: The Berlin Art Book Fair takes place at Akademie der Künste, Berlin, a cultural institution who will provide their main exhibition halls at Hanseatenweg. Miss Read: The Berlin Art Book Fair is now organized by Yaiza Camps, Moritz Grünke, Kristen Mueller and Michalis Pichler in collaboration with Akademie der Künste, Berlin. Artists‘ books, artzines, books, art books, zines, lyrics, conceptual poetry, visual arts, fine arts, printing, fair, berlin, art.

MISS READ 2015 — June 26th to 28th 2015
at Akademie der Künste
Hanseatenweg 10, Halle 1
10557 Berlin

Opening hours
Friday, June 26th, 5 to 9pm
Saturday, June 27th, noon to 9pm
Sunday, June 28th, noon to 7pm

Miss Read on Fäcebook

APAB on Fäcebook

Staging Dioramas ::::::::: The (Re)Staging

The diorama is a dying species. Through its silent disappearance from the museums, a part of history is fading away that has shaped our world-view to the present days. Developed as a simulation of reality in the 19th century they evolved into a fundamental element of natural history and ethnographic museums which always fascinated audiences. Thus, Dioramas have become exhibits of obsolete regimes of the gaze, which can tell us how we have learned to see the world. The diorama is therefore an ambivalent tool of memory: fallen out of time and increasingly invisible, it nevertheless remains a powerful instrument that creates meaning.

What can the remaining dioramas tell us about the past? What shall and must a diorama provide today and for the future? How could the diorama of the 21st century look like?

These questions will be explored by Simone Dede Ayivi (theater maker), Yorgos Sapountzis (visual artist) and Benjamin Zachariah (historian) along with the curators of the project „Staging dioramas“ in a three-day co-working process.

The common goal is to re-stage a diorama in the project space grüntaler9, in order to release it from its anachronistic state and to make it negotiable for the present. The working process is public and always visible through the front window of the project space.

On June 27th at 7pm we warmly invite you to enter the diorama of the 21st century.

June 25th – 27th 2015: Working process
June 27th, 7 – 9pm: Inauguration

Fäcebook Event

Staging dioramas is a project by the curators Stefan Aue, Jana Eske, Jessica Páez together with Simone Dede Ayivi (theater maker), Yorgos Sapountzis (visual artist) and Benjamin Zachariah (historian).

„Staging dioramas: The (Re)Staging“ follows the lecture and workshop program „Memory – Representation – Fiction. The role of dioramas in museums of cultural history“ in the Grassi Museum of Ethnology in Leipzig on April 23rd / 24th, 2015. Special thanks to the staff of the museum, who supported the preliminary research for this project.

A project in the framework of the Masters Program Cultures of the Curatorial at Academy of Visual Arts Leipzig. With the friendly support of Dresden State Art Collections, Grassi Museum of Ethnology in Leipzig, the Goethe-Institut / Max Mueller Bhavan New Delhi and gruentaler9 – a space towards the performative.

Landscäpe ::::::::: a durational performance by Laura Oriol

Sundäy June 21st from 12h onwards (minimum 6 hours)

Fäcebook Event

Creating a space for the process of constant preparation, of cultivating a scape before expression. A Ritualistic pause on nothingness & an attempt towards dissolution. A repetitive activity absorbs a seeking for creativity and allows a sinking into an absence of meaning, of knowledge, of production.

„landscäpe“ aims at facing and investigating an issue of control through the construct of time. Can the experience of time be disintegrated in the conscious experience of the performance?

Laura Oriol will inhabit & transform the space Grüntaler9 from 12h midday onwards, the endpoint of the performance is not foreseeable, but it will last for a minimum of 6 hours.

Witnesses are welcome at any time.